Your Egypt

[Monica]

Inspired by jaguar's thread entitled A R T, here is a totally different form of ART to add a cultural mélange ...Middle Eastern (the subjects)/Foreigners to the ME(the artists) ...


Orientalism

Researched for you


The first 'Orientalists' were 19th century scholars who translated the writings of 'the Orient' into English, based on the assumption that a truly effective colonial conquest required knowledge of the conquered peoples.

This idea of knowledge as power is present throughout a critique by the late Edward Said ( following).

By knowing the Orient, the West came to own it. The Orient became the studied, the seen, the observed, the object; Orientalist scholars were the students, the seers, the observers, the subject. The Orient was passive; the West was active.

One of the most significant constructions of Orientalist scholars is that of the Orient itself. What is considered the Orient is a vast region, one that spreads across a myriad of cultures and countries. It includes most of Asia as well as the Middle East.

The depiction of this single 'Orient' which can be studied as a cohesive whole is one of the most powerful accomplishments of Orientalist scholars. It essentializes an image of a prototypical Oriental--a biological inferior that is culturally backward, peculiar, and unchanging--to be depicted in dominating and sexual terms.

The discourse and visual imagery of Orientalism is laced with notions of power and superiority, formulated initially to facilitate a colonizing mission on the part of the West and perpetuated through a wide variety of discourses and policies.

The language is critical to the construction. The feminine and weak Orient awaits the dominance of the West; it is a defenseless and unintelligent whole that exists for, and in terms of, its Western counterpart. The importance of such a construction is that it creates a single subject matter where none existed, a compilation of previously unspoken notions of the Other.

Since the notion of the Orient is created by the Orientalist, it exists solely for him or her. Its identity is defined by the scholar who gives it life.

[Monica]

The Honored Guest......

[Monica]

Prayers on the roof top..by Jean Leon Gerome

[Monica]

Song of the Nubian slave ..by Frederick Goodall

[Monica]

The Harem....by Fabbio Fabbi

[Monica]

Young Oriental Woman..

[Laura]

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[Monica]

Laura...coming up with the documentation... late 1800's

Laura wrote: Monica these are very nice! I love this type of art. Which circa do you think they belong to?
Laura

[Monica]

Edward Said's evaluation and critique of the set of beliefs known as Orientalism, forms an important background for postcolonial studies. His work highlights the inaccuracies of a wide variety of assumptions as it questions various paradigms of thought which are accepted on individual, academic, and political levels.

The Terms

The Orient signifies a system of representations framed by political forces that brought the Orient into Western learning, Western consciousness, and Western empire. The Orient exists for the West, and is constructed by and in relation to the West. It is a mirror image of what is inferior and alien ("Other") to the West.
Orientalism is "a manner of regularized (or Orientalized) writing, vision, and study, dominated by imperatives, perspectives, and ideological biases ostensibly suited to the Orient." It is the image of the 'Orient' expressed as an entire system of thought and scholarship.

The Oriental is the person represented by such thinking. The man is depicted as feminine, weak, yet strangely dangerous because poses a threat to white, Western women. The woman is both eager to be dominated and strikingly exotic. The Oriental is a single image, a sweeping generalization, a stereotype that crosses countless cultural and national boundaries.

Latent Orientalism is the unconscious, untouchable certainty about what the Orient is. Its basic content is static and unanimous. The Orient is seen as separate, eccentric, backward, silently different, sensual, and passive. It has a tendency towards despotism and away from progress. It displays feminine penetrability and supine malleability. Its progress and value are judged in terms of, and in comparison to, the West, so it is always the Other, the conquerable, and the inferior.

Manifest Orientalism is what is spoken and acted upon. It includes information and changes in knowledge about the Orient as well as policy decisions founded in Orientalist thinking. It is the expression in words and actions of Latent Orientalism.

[Monica]

Contemporary Orientalism

Edward Said, argues that Orientalism can be found in current Western depictions of "Arab" cultures. The depictions of "the Arab" as irrational, menacing, untrustworthy, anti-Western, dishonest, and--perhaps most importantly--prototypical, are ideas into which Orientalist scholarship has evolved. These notions are trusted as foundations for both ideologies and policies developed by the Occident.

Said writes: "The hold these instruments have on the mind is increased by the institutions built around them. For every Orientalist, quite literally, there is a support system of staggering power, considering the ephemerality of the myths that Orientalism propagates.

The system now culminates into the very institutions of the state. To write about the Arab Oriental world, therefore, is to write with the authority of a nation, and not with the affirmation of a strident ideology but with the unquestioning certainty of absolute truth backed by absolute force." He continues, "One would find this kind of procedure less objectionable as political propaganda--which is what it is, of course--were it not accompanied by sermons on the objectivity, the fairness, the impartiality of a real historian, the implication always being that Muslims and Arabs cannot be objective but that Orientalists. . .writing about Muslims are, by definition, by training, by the mere fact of their Westernness.

This is the culmination of Orientalism as a dogma that not only degrades its subject matter but also blinds its practitioners."

[Monica]

Edward Said, also calls into question the underlying assumptions that form the foundation of Orientalist thinking.

A rejection of Orientalism entails a rejection of biological generalizations, cultural constructions, and racial and religious prejudices. It is a rejection of greed as a primary motivating factor in intellectual pursuit.

It is an erasure of the line between 'the West' and 'the Other.' Said argues for the use of "narrative" rather than "vision" in interpreting the geographical landscape known as the Orient, meaning that a historian and a scholar would turn not to a panoramic view of half of the globe, but rather to a focused and complex type of history that allows space for the dynamic variety of human experience. Rejection of Orientalist thinking does not entail a denial of the differences between 'the West' and 'the Orient,' but rather an evaluation of such differences in a more critical and objective fashion.

'The Orient' cannot be studied in a non-Orientalist manner; rather, the scholar is obliged to study more focused and smaller culturally consistent regions. The person who has until now been known as 'the Oriental' must be given a voice. Scholarship from afar and second-hand representation must take a back seat to narrative and self-representation on the part of the 'Oriental.'

If you wish, please start discussions, add views, pictures, links, and comments on the subject matter Cocktails, Juice, coffee tea, on the house (yours, mine, ours, that is..)

[Monica]

Who is Edward Said?

EDWARD SAID

Prof. Edward Said was born in Jerusalem and received his B.A. from Princeton University, and his M.A. and Ph.D. from Harvard, where he won the Bowdoin Prize. He is at present University Professor and chairs the Doctoral Program in Comparative Literature at Columbia University. Dr. Said has served as Visiting Professor at Yale, Harvard and Johns Hopkins and has lectured at over 100 universities, most extensively in the United States, Canada, Europe and the Middle East. He is a Fellow at the American Academy of Arts and Sciences and member of the Council on Foreign Relations.

His writings have appeared in nineteen languages in several countries. The author of numerous articles that have appeared in such places as The New York Times, The Wall Street Journal, Le Monde Diplomatique, The Times, The Observer, and El Pais, his books include: Culture and Imperialism (Alfred A. Knopf, 1993); The Politics of Dispossession: Interventions (1968-91) (Pantheon, 1993); Covering Islam (Pantheon, 1981); Orientalism (Pantheon, 1978); and Beginnings: Intention and Method (Basic Book, 1975).

More on E.Said following.

[Monica]

More..........

[Monica]

Monica wrote: More..........

[Monica]

Monica wrote: Monica wrote: More..........